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PENG WEI

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PENG WEI -
ARTIST'S STATEMENT

My paintings are completely my own feeling and expression. When I paint, I don't even think of conveying something to others. A friend once told me that the women's shoes and dresses in my work are like my "privately collection". Paintings, originally starts with nothing, so maybe it's somewhat true. Actually, I find patterns I like from books about the Ming and Qing Dynasties, and I combine them with aspects of landscapes, photos of classical Chinese clothing and images in magazines. Then, by using the same classical brush, the same traditional paper and the same kind of paint and techniques, I create lines and romance and fill them with colours. All these different "subjects" and "patterns" are actually the same thing to me: "ready production". I only choose what I paint, and I don't worry much about how to paint.

In ancient China, women's feet were always considered as one of the most private parts of the body, and it was forbidden to show them. Men considered women's feet to be very alluring and erotic. So shoes have always had a connection with sex. However, when I began painting shoes, I didn't think of sex. I think it is very natural for a girl like me to want to paint shoes. And I don't consider my artworks to be fashion designs. What I paint are items from the past - lost and beautiful things. My method of painting is also a traditional Chinese way. Since old, classical things have never been painted in this way before, the artworks may look a bit like fashion.






 
 

 

 

 


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